Sep. Mon 24 |
20:30 | De 22,00€ a 40,00€ | BUY
A fantasy of avant-garde, surreal, flamenco and popular passages that finds that “imbalance from which the contrast emerges as a beautiful theatrical effect” and subject to the anachronism that results in the “condensation of an epoch”, concepts that the poet followed.
Prints that amalgamate thousands of Federicos: from the surreal and experimental Federico to the Moorish Federico, black, Jewish, gypsy and Christian. Two sides of the same coin that has the artistic collaboration with Juan Kruz Díaz de Garaio Esnaola.
And of these races for which Federico felt a sympathetic understanding and that would lay the rhythmic, harmonic and melodic foundations of what centuries would be flamenco, we will travel to flamenco itself, dancing cantes for seguiriyas, granaínas, fandangos, peasant cantes, bulerías, tangos, romances alegrías and soleares, among other ‘palos’, which will be sung with texts by Federico.
They will dance the cantes that inspired him or those that we find in his works, the flamenco cantes he met and those he was surrounded by, such as Manuel Torre, Pastora Pavón Niña de los Peines, El Gloria, Ignacio Espeleta or Don Antonio Chacón. .. And from this real flamenco to the imagined, counted and theorized flamenco of the conferences of the Federico ‘endorsement’, the Federico ‘Andalusian primitive’ and the Federico ‘architect jondo’.
We will dance one of the infinite folkloric sessions that Federico organized in the Residencia de Estudiantes and also one of the many meetings in his room with his friends Salvador, Luis, Pepín or Rafael. They will dance some of the music that Federico included in his plays.
Federico before the piano, harmonizing and preparing the popular songs that he will record with his Argentinian comadre and of which they will dance, among others; Anda Jaleo, Los cuatro muleros, Zorongo gitano or Sevillanas from the 18th century. Federico surrounded by his muses and his drawings, characters and mythological creatures.
Federico surrounded by music, singing, dancing and dances. A Federico compiler of popular songs, generator of flamenco and Spanish music … Because although Federico was not a cantaor, he created cantes, although Federico was not a choreographer, he created choreographies, dances and ballets. Because his concern for popular music and flamenco has meant that jewels that have been lost in time come to this day. Because after more than eighty years of his disappearance, his poems, his works, his songs and his lectures allow creation to the artists of the 21st century …
Federico was sung and sung by gypsies and non-gypsies. Federico we dance the dancers and the dancers. For Federico the guitars, the palmas and the pianos sound. Federico García Lorca is a fountain to which we want to pay homage from the utmost respect and the purest admiration.
Rafael Estévez and Valeriano Paños
ARTISTIC DIRECTION, DIRECTION AND MUSICAL CONCEPT, SCRIPT AND REPERTOIRE AND ADAPTATION OF TEXTS | Rafael Estévez
ORIGINAL IDEA AND CHOREOGRAPHY | Valeriano Paños and Rafael Estévez
COREOGRAPHIC, MUSICAL AND SCENIC COLLABORATION | Juan Kruz Díaz from Garaio Esnaola
ORIGINAL MUSIC | Jesús Guerrero
ADDITIONAL MUSIC COMPOSITION | Pau Vallet
CHOROGRAPHY OF ZORONGO | Alberto Sellés
MUSIC | Popular Spanish songs collected and harmonized by Federico García Lorca and popular flamenco
ADDITIONAL COMPOSITION (PIANO MUSICAL ARRANGEMENTS) | José Luis Pérez-Vera
TEXTS | Federico García Lorca and popular flamenco and folklore
LIGHTING DESIGN | Olga García
CLOTHING DESIGN | Rafael Estévez
CLOTHING COORDINATION | Mai Canto
VIDEOCREATION | Patricio Hidalgo
ARTISTIC BASKET MAIN DANCER | Valerian Cloths
SOLISTS | Sara Jiménez, Macarena López
DANCERS | Gloria del Rosario, Nadia Gonzalez, Carmen Yanes
DANCERS | Martí Corbera, Borja Cortés, Ricardo Moro, Alberto Sellés
GUITARS | Juan Torres, Pau Vallet
CANTE | Sebastian Cruz, Vicente Gelo, José Luis Pérez-Vera
Flamencolorquiano is a production of the Andalusian Institute of Flamenco, Andalusian Agency of Cultural Institutions.